Philosophy: to convey a realistic sound image by means of a careful microphone placement in an acoustically adequate venue. Sound engineering and post production are used in order to make a recording which sounds as natural as possible.
In other words, on-location sound recordings with high-end equipment, high-end microphones (DPA-Bruel&Kjaer, DDA, Neumann, RME, Schoeps, Sonodore, SoundField) and an acoustically as well as musically skilled engineer.
Co-operated with chamber orchestra Chapelle de Lorraine, Cantores Servadie, Dodecachordon, North London Chorus, Pro Cantione, ensemble Ritornello (Wim Becu), Bocca Lupo, Capella Nova, Currende, HERMESensemble, Z V E Z D O L I K I ensemble, AMUZ, Hans Abrahamsen, Amaryllis Dieltiens, Dieter Janssens, Teun Michiels, jazz combo CNQuintet, Limburgs orkest Jeugd en Muziek,...